Hear the Difference a Good Vocal Microphone Makes.
What makes a good recording? Gives a live performance life? Makes the difference between a groundbreaking song that marks a milestone in music history and just another top ten hit? In most cases, if not almost all, its the vocal performance. In a few cases, maybe its a legendary guitar or drum performance, but more often than not, its the vocals that make us feel something special.
If you are setting a home recording studio, then you are facing a hundred different choices about where to spend your money. Here's a no-brainer: get yourself a decent quality vocal microphone. Rest assured, none of your recordings will be worth a damn without warm, audible vocals. The first step is to consider your overall budget before you go shopping.
We've all found ourselves in the unfortunate position of attempting to fix a badly recorded track. In most cases, by the time you end up boosting, cutting and adding effects just so your track cuts through the mix, it isn't worth listening to. There's nothing worse than listening to a recording from a couple years earlier that could have been great if you hadn't used the wrong mic on the vocals. At that point all you've got is a reasonable facsimile of the song you should have recorded, and a bunch of disappointed would be rock stars who blame you for their failures.
Conventional wisdom is often not wisdom at all, but in this case I have to go with it - start with the best vocal microphone you can afford. Everything else further down the chain will benefit from a good vocal mic. you can get away with fudging a lot of things in your recording setup, but starting with a good solid vocal microphone is absolutely essential to capturing any performance. All the money you spent on Logic or Pro Tools and all your hot new M-Audio gear isnt going to help your vocal track if you're singing into a Shure SM57.
Start with the right equipment " get yourself a quality vocal microphone, you will be glad you did. These days, there are tons of manufacturers like AKG, Audio Technica, Shure, Sennheiser, and others who make decent microphones in the $200-$400 range. A large diaphragm cardiod condenser microphone will give your vocals shape and clarity, allowing your vocal tracks to cut through the rest of the mix.
By now I think we have developed a theme, so let me just drive it home one more time - "start with a good quality vocal mic..." Don't relegate yourself to hours of EQ-ing and effect layering to try and fix your buddy's vocal track. Start with the best mic you can afford, and make that vocal cut through the mix, and start collecting your accolades. You don't even have to thank me. - 18780
If you are setting a home recording studio, then you are facing a hundred different choices about where to spend your money. Here's a no-brainer: get yourself a decent quality vocal microphone. Rest assured, none of your recordings will be worth a damn without warm, audible vocals. The first step is to consider your overall budget before you go shopping.
We've all found ourselves in the unfortunate position of attempting to fix a badly recorded track. In most cases, by the time you end up boosting, cutting and adding effects just so your track cuts through the mix, it isn't worth listening to. There's nothing worse than listening to a recording from a couple years earlier that could have been great if you hadn't used the wrong mic on the vocals. At that point all you've got is a reasonable facsimile of the song you should have recorded, and a bunch of disappointed would be rock stars who blame you for their failures.
Conventional wisdom is often not wisdom at all, but in this case I have to go with it - start with the best vocal microphone you can afford. Everything else further down the chain will benefit from a good vocal mic. you can get away with fudging a lot of things in your recording setup, but starting with a good solid vocal microphone is absolutely essential to capturing any performance. All the money you spent on Logic or Pro Tools and all your hot new M-Audio gear isnt going to help your vocal track if you're singing into a Shure SM57.
Start with the right equipment " get yourself a quality vocal microphone, you will be glad you did. These days, there are tons of manufacturers like AKG, Audio Technica, Shure, Sennheiser, and others who make decent microphones in the $200-$400 range. A large diaphragm cardiod condenser microphone will give your vocals shape and clarity, allowing your vocal tracks to cut through the rest of the mix.
By now I think we have developed a theme, so let me just drive it home one more time - "start with a good quality vocal mic..." Don't relegate yourself to hours of EQ-ing and effect layering to try and fix your buddy's vocal track. Start with the best mic you can afford, and make that vocal cut through the mix, and start collecting your accolades. You don't even have to thank me. - 18780
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