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Friday, January 22, 2010

Green Screen LA Technology

By Phillip Guye

Were you ever curious about how special effects in movies are made? How do filmmakers recreate the magical arena of Hogwarts or conjure a pre-historic earth? How do filmmakers mix CGI with real life action shots? All these movie wonders have been made feasible by the green screen. It is also known as chroma key, blue screen, and color separation overlay ( CSO ). Without the green screen LA technology, which is utilized in studios all around the great town of Los Angeles ( Chroma Key technology ) many remarkable films would not be made. Moviegoers will be stuck with dull pictures with poor, little, or no visible effects at all . Without the chroma key, many probabilities in movie-making would still be in the dreams and imaginations of filmmakers.

These screens works by putting 2 pictures together. The solid background color is replaced by an exact background that will be seen in the final cut of the motion picture. Way back then, in the 1930's, blue was the colour of choice among filmmakers. After this, it was also used in many Technicolor films. One of the first pictures that made use of the chroma key was the screen adaptation of Ernest Hemingway's favored short story, "The Old Man and the Sea." The rest is history. More films were made with the help of chroma key technology. It eventually spawned many cinematic breakthroughs that made film making what it is in the modern day. For example, the Chroma Key screen is not used solely for changing backgrounds. Scenes are shot behind the screen so that it would be straightforward to add visual effects such as CGI.

For example, in the movie Lord of the Rings, the actor who played Gollum wore a body suit that was an identical color of the Chroma Key screen. Sensors were attached to the suit in order to keep track of his movements. The CGI rendering of Gollum's character is then put over the green suit, and the sensors make it appear like a real live creature is moving. Then, an actual background is added to replace the green screen. All in all, the Lord of the Rings universe was created by CGI and the green screen!

The utilization of the screen became popular when advanced film making appliances were made and developed. Instead of blue, green became the new color of choice as it is way easier to manipulate. It doesn't need complicated lighting, it creates less sound, and it makes clear lines which makes it easier to work with in post-production. This is the reason why today, green screen LA technology is the favourite tool of many filmmakers and is employed in studios all across the city of los angeles.

Although giant movie studios and production homes are famous for making use of green screen LA technology, it is actually simpler to access than folks think it is. Even filmmakers on the cheap can make their own screens. With the correct materials, creativity, resourcefulness, and guts, anyone who needs to make a decent motion picture can make a DIY green screen. Now, big budget films can now be duplicated by anyone who has a creative mind. Any studio materials or rentals you need can be easily found in L.A. - 18780

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Unlimited Space: White Cyc

By Phil Guye

White cyc is a stage background used to create the illusion of limitless space or sky. It is excellent for video and still photography allowing CGI effects to be added to the image. The main benefit of a white filming stage is the capability of making the background virtually disappear making all sorts of possibilities for lighting, and allows for the shutter-bug's subject being filmed to be center of stage.

Today's technology makes it possible for a line of white cyclorama products to be developed to meet the growing demand for white cyc backgrounds in a great number of environments and applications. This makes it possible for a shutter-bug to have his very own white stage in his very own studio without the requirement for leasing a studio with a white stage. The concepts of straightforward assemble and smaller white stage backgrounds came from the founder of Pro Cyc name Fritz. Fritz built his dream white studio in Portland Oregon. The investment of cash and time were great and construction employees labored for weeks building the studio out of plywood and drywall. During construction Fritz kept saying, "There must be a neater way to build a white cyclorama studio?"

Fritz was given his chance to test out his idea while building his second white stage background in Portland after his first white cyc background suffered water damage while filming a special effect. Fritz's 2nd white cyc studio is still being use in Portland Oregon today and is being leased out to customers like: Freightliner, Nike, Adidas, and Steinway among many others using the versatile studio. The studio has been repainted about 400 times since opening, but the walls still remain smooth as the first day they were installed.

The revolutionary patented molds developed by Fritz makes his company Pro Cyc one of the world's leading makers of modular white cyc background systems. Pro Cyc's research and development is consistently developing new ideas and products to meet the continually changing needs and demands of today's media and high-tech industries.

Pro Cyc works closely with their customers making sure they're achieving the optimum solution for their wants. Pro Cyc's engineering can customize design white cyc sets to meet the specialized and demanding needs of their customers. In 2007 pro Cyc enter into the personal studio market with a fresh product line reducing cyc technology down to the scale of a desktop, which broke the barrier of catalogue photography. - 18780

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Green Screen LA - Unlimited Potential

By Phillip Guye

Many pictures that are filmed in LA would not be possible without the help of the green screen. How else would Godzilla stomp through New York? How could imaginary universes such as the one in Star Trek be possible? How could a film resemble a graphic novel so accurately? Despite how pretty a city los angeles is, L.A. Filmmakers can't just create settings that look like they came right from comic books or the minds of the most imaginative film makers in simply a snap of a finger. In brief without the green screen LA ( a term coined from the prevalent use of these sort of screens in LA studios ) technology that many studios in los angeles have adopted as the only way to develop computer effects, our movie-watching experiences will have a lot of boundaries. Thankfully , L. A. film makers have really discovered the joys of these screens and it's technology is here to stay.

The chroma key technique is all about blending 2 different pictures with each other. The foreground is retained while the background is replaced with another image. This is precisely why the background used must be a solid color. It makes it easy for L.A. Film makers and visible effects technicians to replace it with a different picture. Today, the most well liked background color used in the various studios spread round LA is green. This is because light is sensitive to this color, so meticulous lighting isn't required anymore. It also produces less noise and clean lines.

A good example that makes use of the screen is the up to date smash flick "300." Shot wholly in a motion picture studio in L. A. , the film relies heavily on visible effects to recreate the atmosphere and feel of Sparta right in the middle of L.A. Another thing the filmmakers considered is the look of the film. It had to are like the exact graphic novel. This wouldn't be possible without the screen. In this movie, the actors were shot in front of the green screen. Finishing touches were added in post production. The background images used were all created with aid from assorted special effects like CGI. The film looked like a cohesive whole, even though layers and layers of elements were used to come up with the final product. This would not be possible without the this type of technology that L.A. Film makers have really harnessed to it's maximum capacity.

For green screen LA technology to work, there are some really important factors to be considered. First, though in depth lighting isn't needed, there is not any excuse to use substandard lighting. Only the best cameras and lights should be used when filming using a screen. Also, it is essential to avoid casting shadows on the screen. This will be a blemish that'll be difficult to retouch. Keep in mind that the use of a green screen is to have minimum work. Not using the screen the proper way will certainly defeat the point of ever using it.

The green screen is a versatile tool. For filmmakers in los angeles and all over the world, it permits them to create or recreate the most fascinating settings right in the middle of L.A. It's also an important tool for photographers because it aids them to make more refinements to their photographs. Green screen LA technology is definitely a extremely helpful tool in the flick industry. It makes the not possible possible and brings what we can only dare to picture to life. Green screen rentals and materials can be found all around the town of los angeles. - 18780

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Green Screen Tips - Finding the Affordable Type

By Phillip Guye

It is always advisable to look for Green Screen Tips when it comes to securing a place in the movie industry. The issue of affordability comes into play every time you need to secure a high quality screen for your film shooting. Buying a green screen or (chroma key screen) can be expensive and building them on your own can be knackering. So, how do you decide the way to cheap screens? This is the topic debated in this post.

There's one thing that you need to first consider when employing the employment of chroma key screens. Chroma key screens are usually available in studios where the film shooting occurs. This is where you've got to pat lease charges that they might turn out to be exceedingly pricey. Therefore, you should have great knowledge and use good Green Screen Tips so that you can secure the screens at a great cost. The first green screen tips is to consider the studio. Many studios had different developments in the bizz. This is why their prices will vary when it comes to renting chroma key screens from them. It's also always advisable to think about the studio costs. Compare them totally so that you get the best screen at a fair cost.

The second green screen tips is the component of going for less popular studios. It is mostly terribly costly to secure services at a well-known studio. These studios have just established a name for themselves. Therefore, they already have a high competition of people looking for their services in film shooting. As a result, you should gamble with the less well-liked studios. They also have chroma key screens that you may use in shooting your film. However, they are massively cheaper because they are simply attempting to make a name for themselves and make people accept that they can create quality productions. Therefore it's wise to look for such studios and take advantage of the lower costs.

The third of the green screen tips is using net services to find top quality screens at cheap studios. This is a good way to lease chroma key screens because internet sites have an opportunity to supply a discount. You can find the most acceptable deals online for your video production, and searching online for rentals should definitely not be discounted. There are so many sites that you are bound to discover a good offer. You just need a P. C. and a network connection!

What you have got to be sure of is that the quality of the chroma key technology in your film production is always high no matter the affordability. Therefore, always keep the Green Screen Tips in mind so that you are able to make a great production at affordable costs. - 18780

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White Cyc Studios: Boundless Technology

By Phil Guye

White cyc is an individual component used to build a cyclorama that encircles the stage. All the advances in technology have done little to change the way in which the cyc is lighted over the years. All the new technology has increased the significance of correct lighting, and using the right kind of material for the white cyc.

What technology has done is take century old technology and make its use essential for creating virtual backgrounds for virtual, and special effects for the emerging flood of movies, and various video applications dependent on computer systems requiring flawless virtual backgrounds that can only be created in white cyc studios. White cyc residences technology goes back to nineteenth century German Theaters and has bounced round the entertainment industry for a long time. White wall surface was use for early twentieth century Broadway plays and finally ended up in Hollywood use for making CGI effects.

The white cyc is an extraordinarily helpful tool when it comes to lighting the white surface stage set. The white cyc provides the lighting designer with an abounded number of lighting chances for staging the specified computer effects scene. The white cyc with correct lighting will draw the viewers focus to the subject that the producer wants to show off. This is the major advantage of white surface backgrounds, and the reason white cyc studios are used for TV commercials, stories programs, music videos, dance routines, and other sorts of film media. White is used for the color of the cyc as it leaves the background void so a new background with the desired effect can replace it. The void background is excellent for digital fashion photography enhancing the model's appearance and keeping total focus on the model.

The one or more white cyc studios technology walls can be painted green to mix green screen effects in the white cyclorama flats. This works because the cyc is void of background permitting for the green screen background effect to show up in the place of the white cyclorama background. Using the cyc reinforces the green screen effect by giving it illusions depth and infinite space. Robert Rodriguez exploited a methodology similar when he was filming Sin City when he uses his 1956 Chevy Panel lorry in the film. He places his truck on a platform and films it from all different camera angles. The actors were filmed in front of a green screen background and were composite in the truck film to seem to be inside the van. In reality the actors never were in the wagon during filming. With the enlarging number of computer effects in flicks and TV programs today cyc lighting is terribly essential in making special visual effects.

Movie producers have doubts about using white cyclorama residences for CGI effects. The producer's doubts are quickly dismissed with clear understanding of what the cyclorama studios can do when they witness the results from the production studios. Another use for white cyc studios technology backgrounds is on talk shows when music groups stop by to play one of their new music pieces. The white surface provides the perfect area for creating a quick music environment. - 18780

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